The Journal of Vincent du Maurier II

“A More than Satisfying Sequel”

Review by Joey Madia

Sequels, as ubiquitous as they have become in novels, film, and in television (through spin-offs and multiple seasons), are difficult to do well. As evidenced by the critically panned second season of True Detective and the multitude of sophomore albums by bands who come out of the gates with a strong first album, much of the difficulty with a follow-up project has to do with the long gestation period that a first work undergoes. In some cases, it is the culmination of decades of thought and trial and error, which elicits a deep passion and commitment from the artist that translates to the audience. Another reason is the simple fact that sequels are often about the economics of a follow-up rather than the truth about whether or not the main character has sufficient untold story left for a sequel. Often times, the initial Act 3 change in the Hero’s Journey is so profound that further examination of the main character’s life is bound to be a letdown; to feel forced, leading to logic holes and absurd situations. Continue reading

YOU are THIS: Awakening to the Living Presence of Your Soul

‘What you are looking for is found within’

Review by Grady Harp

British author and philosopher Jonathan Harrison is best described as a Teacher of Being. In his previous books WE ARE ALL ONE he gently but firmly and supportingly guided his readers towards a path of self-realization. And in his superbly written next book NAKED BEING: UNDRESSING YOUR MIND, TRANSFORMING YOUR BODY he advanced his ability to assist the reader in purging the misconceptions of self, offers an understanding of the non-duality (not separating the individual from the universe but instead realizing that all is one) of each of our existences.

Harrison’s new book YOU are THIS: AWAKENING TO THE LIVING PRESENCE OF YOUR SOUL book opens his personal experiences and before delving into the content of the book he offers a very helpful glossary of terms – his own definitions of words that are important to the use of his book. Continue reading


‘I decided to give up any sense of fear and embrace your presence, to welcome my time alone with a very old friend.’

Review by Grady Harp

New Hampshire author Jennifer-Lynn Keniston, originally from Massachusetts, lights a fire with a slow burn that takes the reader through tale of mystery, suspense, a hefty flavor of New England, and a satisfying infusion of spiritual concerns in this her debut novel. Her background includes a Master of Arts degree in English, from Bridgewater State College in Massachusetts, and a Bachelor of Arts degree in English, with a concentration in writing and a minor in philosophy, from Plymouth State College in New Hampshire. Her day job is as a project manager for a company providing cloud software products for call centers at small, medium, and enterprise companies, and as of last year she started her own business, Ansel Resume Resolution Services LLC, writing resumes and cover letters. The tenor of this new novel is so rich that it is at least likely as not that Jennifer-Lynn will embrace writing novels full time! Continue reading

Savages: A Triptych

Review by Joey Madia

To begin, a definition: “Triptychs” are typically three-paneled paintings or a photograph series that explores a unified theme in different ways.

The triptych of this collection is three short stories: “Long Live the King,” “The Deposition,” and “Lunar Seas.” Thematically, there could be several broad-based connections between the three stories, as they each cover a range of human emotions and relationships. Other reviewers have put forth their own theories. To me, the triptych here is unified as Past, Present, and Future explorations of what is most “savage” (read primitive, archetypal, low-vibrational) in Humankind’s relationships to its dark secrets as they are expressed in both our codified, societal Myths and the ones we individually construct. Continue reading


Review by Joey Madia

As Founding Editor of, which hosts pages for seventy authors and artists from around the world, I have the opportunity to give the creators of innovative and thought-provoking poetry a forum for their work.

In cultivating the e-publisher/author relationship, I am sometimes asked to review additional work by an author. In the case of Jack Galmitz, in 2014 I reviewed three of his chapbooks—Objects, Yellow Light, and A Semblance. During the course of our correspondence, Galmitz wrote that his poetry is based on “the indeterminacy created by ambiguity—sometimes two words that are joined together when left alone on the page makes one realize there are many ways to take them and this leaves doubt and makes one look and be aware of what is there and this is the purpose I think of art.” Continue reading