Fountain of Hope: Dimensions

Review by Joey Madia

Although this is his first work of fiction, Baylus C. Brooks is no stranger to maritime-themed research and writing. He is an acknowledged expert on the life and death of Edward “Blackbeard” Thache (pronounced Teach), having come closer to tracing Thache’s origins in his three books on the subject than any other scholar before him. His research has been crucial to my work in historical education and entertainment related to the Golden Age of Piracy.

Never one to be afraid of controversy or putting himself out there as a scholar, it is no surprise that Brooks does not ease his way into fiction writing, but throws himself instead into the deep end of the ocean by giving us a novel that not only deals with Time Travel, but does so in a compelling, cutting-edge way.

If you are a fan of other time-jumping historical fiction like the Outlander series, or even such nonhistorical entertainment as Avengers: Endgame or the Terminator series and the multiple timelines of Westworld, then this is a novel for you. Continue reading

The Magdalene Gates

Review by Joey Madia

Over the years I have reviewed many books from Larson Publications, including those they publish on behalf of the Paul Brunton Foundation. I have never been disappointed. This publisher has an eye for quality narratives grounded in scholarship and a crucial spiritual insight, and their books are a balm for a sorely troubled world.

Having long been a student of the Gnostic Gospels (e.g., Thomas, Phillip, and Mary), the gospels of the Essenes, and other esoteric documents from the early centuries of Christianity, as well as the true nature of Jesus and those who knew him best, The Magdalene Gates was a book I was keen to read. It takes as its central plot device the uncovering of scrolls from a dig site in Turkey—scrolls that put Mary Magdalene center stage in Jesus’s life and offer spiritual guidance to both the book’s characters and well as the reader.

Mary Magdalene is one of the most contested, misrepresented, and misunderstood characters in the Bible. Many know her only through what they’ve learned from Andrew Lloyd Webber’s Jesus Christ Superstar and the song “Alabaster Box” sung by CeCe Winans. In the Church’s schema of Jesus’s life, Mary Magdalene is the whore side of the Madonna/whore dichotomy completed by Mary Mater.

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Soothing the Savage Swamp Beast

Review by Joey Madia

If you are looking for a weird but fun ride this summer, this novella might just be for you. But a quick word of warning. Know what you’re getting into. As you’ll notice, this is published by Bizarro Pulp Press. So let’s get some definitions from Wikipedia:

Bizarro fiction: a contemporary literary genre, which often uses elements of absurdism, satire, and the grotesque, along with pop-surrealism and genre fiction staples, in order to create subversive, weird, and entertaining works.

Pulp fiction: lurid, exploitative, and sensational subject matter
So, Bizarro Pulp… you can only imagine. And you should.

But this label has nothing to do with quality. Although it is in many ways the ink-on-paper analog of Slasher Films, complete with lots of violence, sex, and, well… bizarreness, it can also be just as fine and releasing as a Rob Zombie film.

If that’s your sort of thing. If it is, read on. I don’t read a lot of Bizarro, but I have read and reviewed some anthologies and stand-alones. Knowing what I am getting when I am going in, I adjust my mindset and just enjoy, if the author’s talent allows.

Because all the same standards apply. You need interesting characters with an arc, and an at least semi-cohesive narrative and an interesting problem to solve.

Although, in Bizarro, the characters are often deeper in the shit at the end than when they started. And this is truly its appeal. Continue reading

FOR BLOOD OR JUSTICE, Stormkind: Episode 1

Review by Joey Madia

As I opened with in my review of Chuck Regan’s short story collection six months ago, I have known him and his work for a long time. Thirty-three years. And, in that time, I have witnessed his growth from a talented sketch artist and budding graphic novel writer and graphic artist to a novelist, graphic novelist, and short story writer whose immense world-building and attention to detail conspire to create expansive, immersive story-scapes that combine science fiction, fantasy, pop culture, and a deft mix of comedy and darkness.

For Blood or Justice represents the next level in Regan’s world-building and his in progress and planned meta-verse. The book opens with a Prologue taking us back to 1890, when a meteor brought vast changes to Earth. So many changes, in fact, that historical timelines were shifted from what we know them to be. Rather than bogging down the narrative, Regan uses footnotes to define, contextualize, and, in some cases, point the reader to other works and facts about his alternative history timeline (such as a longer life for Tesla and a much worse ending for Nixon than resigning).

Although I like very little about the twenty-first century and where it’s taken technology, as a writer of meta-verse stories, I appreciate what our capabilities are to package and distribute parts and pieces of our large stories in this way. I especially liked the alt-origin of the Philly Phanatic. Continue reading

An Odyssey: A Father, a Son, and an Epic

Review by K.P. Ambroziak

There’s an intelligent and exquisite beauty to Daniel Mendelsohn’s writing. He’s clearly an educator, a deep thinker, a keen critic, and a writer in tune with an effective mode of conversation. I was taken with AN ODYSSEY from the start—once I had gotten used to his writing style, which emulates ring composition with miniature strokes that are amusing as the read goes on.

I was moved to tears by the end of the work, despite knowing the inevitable outcome. It’s part memoir, part self-exploration, part lesson in all things Homer (if you’ve never read Homer, what the *heck* are you waiting for?), but its strength lies with the gentle hand he uses to show how similar we are to the ancients. If you appreciate Homer’s “Odyssey,” you will certainly enjoy this read, and I’d wager take away a trove of antique treasures.

I’ve taught the epic to college students, and found many parallels to my own journey. It requires a certain amount of stamina and patience to lead students to discover the epic’s textual tapestry on their own. Despite how well one may know a text, there are always new things to uncover. Teaching a text seems to teach us this if anything.

But there’s so much to be learned here from Mendelsohn’s curated brilliance. He teaches us about recognition, and the patterns in our own relationships, the ways we do not see those in front of us, the ways others see them better, if less honestly. We are strangers to those who know us best—or should know us best. And yet recognition may come in the most simplest of moments, when memory and forgetfulness collide. We take people for granted. We think we know and yet we are strangers on a ship, passing each other in the ink of our cosmos. How does a son not know his father? How does a father not know his son? Are we tricked by the gods, disguised in plain sight for some higher purpose, some bigger plan? These are notions we grapple with in the epic, but also in our very un-heroic and un-epic daily lives. To live estranged seems far more reasonable than to share the deepest parts of ourselves. Continue reading