Review by Malcolm R. Campbell
In the introduction to this spiritual and psychological collection of essays, poet and Jungian analyst Naomi Ruth Lowinsky writes, “I didn’t have to account to God or my analyst for why I wasn’t Moses, or for that matter, Jung. I had to account for why I wasn’t Naomi.”
This visionary collection follows the transformations that molded Lowinsky from the prima materia of her young self in chaos and doubt into the Naomi that life and the gods were waiting for her to discover.
Readers of The Rabbi, the Goddess, and Jung witness outrageous fortune’s wont to injure seekers of the voice within with the arrows from its quiver of devils, demons, shadows, temptations and tricks. Ultimately, when the seeker hears and responds in harmony to that voice, s/he discovers the meaning of Joseph Campbell’s promise that “The privilege of a lifetime is being who you are” and that the Tewa prayer’s answer from nature’s light in “Song of the Sky Loom” is a Garment of Brightness. Continue reading
“A Collaborator in Alleys”
Review by Joey Madia
To mark the occasion of my tenth review of a poetry collection by the prolific and boundary-stretching poet Eileen Tabios, I knew I wanted to do something special—something that would honor Eileen’s ability to take the reader from a position of relative passivity to one of co-creation.
I made an attempt at this before, ending my review of Tabios’ Sumptuous Sculpture (Marsh Hawk Press, 2002) with a poem crafted from another one of my reviews (Reproductions of the Empty Flagpole, same publisher and year).
This review, however, takes things much further. Since beginning her ongoing work “Murder, Death, and Resurrection (MDR),” Eileen has created new poems and published seven books that use re-constituted lines from a database of 1,146 lines from her previous works. The Connoisseur of Alleys is one such work. Continue reading
Review by Joey Madia
As Founding Editor of www.newmystics.com, which hosts pages for seventy authors and artists from around the world, I have the opportunity to give the creators of innovative and thought-provoking poetry a forum for their work.
In cultivating the e-publisher/author relationship, I am sometimes asked to review additional work by an author. In the case of Jack Galmitz, in 2014 I reviewed three of his chapbooks—Objects, Yellow Light, and A Semblance. During the course of our correspondence, Galmitz wrote that his poetry is based on “the indeterminacy created by ambiguity—sometimes two words that are joined together when left alone on the page makes one realize there are many ways to take them and this leaves doubt and makes one look and be aware of what is there and this is the purpose I think of art.” Continue reading
“Introductions to Infinity”
Review by Joey Madia
The arrival of a new Eileen Tabios book has become no less than an Event for me. Not only is it inspiring to see what new forms and source material this award-winning and prolific poet and editor is working with and drawing from, but it inevitably leads to my own experimentation with whatever creative works I am bringing to life at the time. Tabios is very much a writer’s writer, and one of the leading poet-practitioners in the realm of how to make the reader participatory with the experience. In essence, Tabios is such a writer’s writer that she wants everyone to be, if not a writer, than certainly an active author of their own experience and engagement. This is an aspiration that is beyond resonant with me as an artist, mentor, and storyteller. Continue reading
‘I lift my lamp beside the golden door!’ – Emma Lazarus, 1883
Review by Grady Harp
The editor of this impressive collection of works by immigrant poets is Abayomi Animashaun, a Nigerian émigré whose poems have appeared in such journals as 5A.M., African American Review, Southern Indiana Review, Diode, The Adirondack Review, The Drunken Boat, and The Cortland Review. He is the author of two poetry collections published by Black Lawrence Press, THE GIVING OF PEARS (2010), winner of the 2008 Hudson Prize, and SAILING FOR ITHACA (2014). He teaches at the University of Wisconsin-Oshkosh and lives in Green Bay, Wisconsin.
Knowing well the works of many of these poets (e.g., Jee Leong Koh, Ocean Vuong, Lisa Birwan and others), this book is particularly fascinating. Continue reading