George R. R. Martin’s prose is fit for more than simple storytelling in this postmodern saga. I use the term postmodern in the sense that Martin is deliberately mixing different styles, but also his work seems self-conscious and respectful of earlier conventions. He has layered his narrative with myths and stories going as far back as antiquity, and though the medieval elements of the world he has built are evident, it is these earlier mythologies woven into the fabric of his characters that seem to tout his mastery at making a neo-medieval novel. Whether you’ve known about the series since the first book was released in 1996 or you discovered it with HBO’s Game of Thrones television series, the first installment of A Song of Ice and Fire has much to offer, and much to love, for any literary taste.
And this is why it is so wonderful. For even the snobbiest literary critic can’t deny that this work of genre fiction, or fantasy, or the more recent highbrow moniker speculative fiction is a novel for the new age. As verbose as this first book may seem (it clocks in at 298,000 words and is one of the shortest of the series), it is a festival of language and characters and settings that are mixed in such a manner as to take nothing away from the narrative. Continue reading