Review by Joey Madia
As I opened with in my review of Chuck Regan’s short story collection six months ago, I have known him and his work for a long time. Thirty-three years. And, in that time, I have witnessed his growth from a talented sketch artist and budding graphic novel writer and graphic artist to a novelist, graphic novelist, and short story writer whose immense world-building and attention to detail conspire to create expansive, immersive story-scapes that combine science fiction, fantasy, pop culture, and a deft mix of comedy and darkness.
For Blood or Justice represents the next level in Regan’s world-building and his in progress and planned meta-verse. The book opens with a Prologue taking us back to 1890, when a meteor brought vast changes to Earth. So many changes, in fact, that historical timelines were shifted from what we know them to be. Rather than bogging down the narrative, Regan uses footnotes to define, contextualize, and, in some cases, point the reader to other works and facts about his alternative history timeline (such as a longer life for Tesla and a much worse ending for Nixon than resigning).
Although I like very little about the twenty-first century and where it’s taken technology, as a writer of meta-verse stories, I appreciate what our capabilities are to package and distribute parts and pieces of our large stories in this way. I especially liked the alt-origin of the Philly Phanatic. Continue reading
Review by Joey Madia
I have known Chuck Regan and his work for a long time. Three decades, actually. I started as a fan of his comic books, including Nether Age of Maga—a post-apocalyptic vision that’s everything from Plato to P. K. Dick. His skills as an artist—he’s known for his attention to detail and authenticity in his science fiction–based designs—translate successfully into prose. Regan has always had fun using made up words and he incorporates just the right amount of pop culture references in his work to give us grounding in the odd.
Regan’s vision has always been dark, but with touches of comedy and hope in all the right places. He opens his About the Author section at the end of this collection by saying he’s technically not an author because he has yet to publish a novel. But I’ve read several of his longer works in whole or in part, and “author” certainly applies. He is as much a technician of the craft of storytelling as any author I know. He’s even created a workbook for writers of long-form stories called Give Your Hero Bad Breath: A Character, Plot and World-Building Workbook that I have incorporated into my starting routine for new stories.
Beneath the Fungoid Moon is a collection of seven short stories, each with an opening passage about the history of the piece. For budding writers and those who want to see how the sausage gets made for writers in the thorny world of publishing, these introductions are invaluable. Continue reading