Manhattan: An Archaeology

“Forever the Innovator”

A review by Joey Madia

Innovation is not easy. Being innovative and prolific—well, that approaches the ultra rare. And that is why, year after year, I try to do at least one review of Eileen Tabios’s works. When the work spoke clearly as to how, I have attempted to be as innovative in my reviews as Tabios is in her art. A scroll through the 145 reviews currently on New Mystics Reviews (newmysticsreviews.blogspot.com) will show ten other reviews of Tabios’s work, some of which use lines from my other reviews or a poetic form to honor the range of inspirations and innovations Tabios has employed in her 40-plus collections, which have now been published in eight countries and in numerous languages.

Manhattan: An Archaeology, from the relatively new Paloma Press (they list only one other offering so far—Blue by St. Jo and Grefalda, which I reviewed last month), has a multi-page list of inspirations, ranging from Tabios’s own previously published works to those of other authors, YouTube videos, the paintings of Clyfford Still, and a trip to Provence the poet took with her husband.

The collection, which is divided into several sections, interdicted with graphic images, begins with THE ARTIFACTS, a poetic list of items that then appear in the poems that follow. Here we have the material archaeology of Things, which is only part of the picture. Because there is also the etheric archeology of Memories, to which the items tether. Why else are so many of us so compelled to collect? Continue reading

Invent[st]ory: Selected Catalog Poems & New

“Introductions to Infinity”

Review by Joey Madia

The arrival of a new Eileen Tabios book has become no less than an Event for me. Not only is it inspiring to see what new forms and source material this award-winning and prolific poet and editor is working with and drawing from, but it inevitably leads to my own experimentation with whatever creative works I am bringing to life at the time. Tabios is very much a writer’s writer, and one of the leading poet-practitioners in the realm of how to make the reader participatory with the experience. In essence, Tabios is such a writer’s writer that she wants everyone to be, if not a writer, than certainly an active author of their own experience and engagement. This is an aspiration that is beyond resonant with me as an artist, mentor, and storyteller. Continue reading

the relational elations of ORPHANED ALGEBRA

a review by Joey Madia

If you label me, you negate me. —Soren Kierkegaard

Some books help us pass the time. Others entertain or inform us. And then there is the rare book that Inspires us—forces us to see with a different set of eyes and subsequently change our Newly Provoked Thoughts to Actions, enlivening our heart and engaging our Humanity. This is such a book. And, for that reason, this will be more than just a review. There are excellent reviews about the poetics of this book available on both the back cover and out it in world. And although the book’s content is my basis for all that follows, what this is is an extension of the work begun in the book, as I believe Tabios and hastain would have it. Continue reading