The In(ter)vention of the Hay(na)ku

“Inspirational Innovation”

A review by Joey Madia

The great white whale for all true Creatives is the alchemical creation of something New. Wholly new. Something Never Before Done.

But, in reality, how many emotional crews and spiritual lower legs have we sacrificed in the pursuit of such seeming folly?

I was recently engaged in a discussion with creative colleagues when the idea that “there is nothing new” left to create came up. For one of us, it was a statement originally made to him some 30 years ago by a professor in the college where he had enrolled.

So—is it true? Outside of deconstructionism and post-postmodernism, aside from homage and pastiche (all four of which are prevalent in my own work), is there anything truly new?

This retrospective collection says yes.

Embracing variations on the haiku and tercet forms while honoring Philippine culture and elements of the Diaspora, Tabios’ Hay(na)ku form has, to put it mildly, caught on with a worldwide community of poets, breeding variations that both honor the form from which they come and the strength of the form itself. Continue reading